
Opis
In west London, the entrance to architect and theorist Charles Jencks' Cosmic House is overlooked by the Cosmic Oval, a representation of the origin of the universe referencing both contemporary scientific discoveries about its elliptical shape and ancient cosmogonic myths. Finer's imagined conversation between the figures who inhabit the frieze surrounding the Oval, such as Hannah Arendt, Imhotep and John Donne, re-orchestrates cultural history to explore social scenes of study and the way knowledge moves through bodies and time.
Commissioned by the Jencks Foundation at The Cosmic House.
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Arachne Press
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